Chinghiz Aitmatov, the best known figure of his country's literature was born on 12 December 1928 in Sheker, near Talas in Kyrgyzstan, a writer who composed works both in Russian as well as in Kyrgyz. Chinghiz Aitmatov belongs to the post-war generation of writers. Some of his critics are on the opinion that although his output before Jamilya was not significant, but it was Jamilya that came to prove the author's work. Louis Aragon described the novelette as the world's most beautiful love story, raising it even above Rudyard Kipling's World's Most Beautiful Love Story. Aitmatov's representative works also include the short novels; Farewell, Gulsary!, The White Ship, The Day Lasts More than a Hundred Years and 'The Scaffold'. He was honoured in 1963 with the Lenin Prize for Jamilya and later he was awarded a State prize for Farewell, Gulsary!.
Aitmatov's work has some elements that are uniquely specific to his creative process. He is very close to mythology, not in the ancient sense of it -- rather, he tries to recreate and synthesize mythology in the context of contemporary life. This is prevalent in his work; in every story he refers to a myth, a legend, or a folktale. In The Day Lasts More than a Hundred Years a poetic legend about a young captive turned into a mankurt* serves a tragic allegory and becomes a significant symbolic expression of the philosophy of the novel. A second aspect of Aitmatov's writing is his ultimate closeness to our "little brothers" the animals, for their and our lives are intimately and inseparably connected. The two center characters of Farewell, Gulsary! are a man and his stallion. A camel plays a prominent role in The Day Lasts More than a Hundred Years; one of the key turns of the novel which decides the fate of the main character, is narrated through the story of the camel's rut and riot. The Scaffold starts off and finishes with the story of a wolf pack and the great wolf-mother Akbara and her cub; human lives enter the narrative but interweave with the lives of the wolves.
In Central Asia, before World War II, Tajik literature occupied the high literary plane; after the war, that position was ceded to Kyrgyz prose fiction, spearheaded by the untiring efforts of Chingiz Torekulovich Aitmatov. Aitmatov provides a noteworthy account of his own life and career in his "Craftsmanship." He was born on December 12, 1928, to the family of Torekul and Nagima Aitmatov in the village of Sheker (Talas Valley, Kirov district). Village tradition required that he should know seven generations of his ancestors. And he knew every single one; he knew what each had accomplished and how he or she was perceived by the community.
The Aitmatov family was closely knit. Chingiz Aitmatov's paternal grandmother was his closest friend as well. To teach him about Kyrgyz culture, she took the boy to traditional jailus (field festivities), weddings, and funeral repasts (osh). Aitmatov also accompanied her to meetings with storytellers, bards, and akin singers. Today, he draws regularly on those rare experiences as his writing weaves a masterful tapestry of Kyrgyz traditions and legends embellished by modern colors.
His family's attempts to rise above poverty had been unsuccessful; bai-feudal tyrants, unpredictable political turns and bad luck having been the culprits. Aitmatov's father, Torekul Aitmatov (1903-1937) was born into a middle class peasant family on the bank of the Kurkureu River. He graduated from high school in 1917 and was elected secretary of the Committee of the Poor in 1920. Between 1924, when he joined the Bolshevik Party, and 1935, when he was sent to Moscow to study at the Institute of Red Professorship, he worked in a number of positions in the Party apparatus. In 1937, Aitmatov senior, one of the first Kyrgyz communists, a well-versed literary figure and a politician, is liquidated on charges of "bourgeois nationalism". He was arrested by the KGB's brutal henchmen in Moscow and was murdered! Nine-year-old Chingiz, the eldest boy, copes with the "shame" and holds the family together. At the age of fourteen, he abandons his studies to contribute to the war effort.
Aitmatov's mother, Nagima Hamzaevna Aitmatova (1904-1970), was a true product of the Soviet system. She joined the Komsomols in 1919 and served in various positions including the Head of the Department of the Karakol cantonal Komsomol Committee. In 1924, she met Torekul Aitmatov and continued her efforts at promoting women's rights, fighting illiteracy, and working to put forth land and water reforms. After 1938 until she went on pension in 1954, she worked in the Kirov Region Financial Department.
Between 1943 and 1952, Aitmatov serves as the Assistant to the Secretary of the Sheker Village Soviet. During that time, he also translates Katayev's Sons of the Regiment and Babayevsky's White Birch into Kyrgyz, only to discover that both works had already been translated. Between 1952 and 1954, he writes two stories in Russian: "The Newspaper Boy Dzinio" and "Ashim." His first Kyrgyz contribution was "Ak Jann" ("White Rain"), which was published in 1951. Thereafter, until 1966, he works as a livestock specialist, while attending the Animal Husbandry Division of the Kyrgyz Agricultural Institute in Frunze, USSR. He then attends the Gorky Literature Institute in Moscow and takes advanced courses in literature. After graduation, he edits Literaturnyj Kirgizistan for a while and, in 1958, becomes a roving correspondent for Pravda, in Kirghizstan, a job that he holds until 1964. Aitmatov has also served as the First Secretary and Chairman of the Cinema Union of Kirghizia, Frunze, (1964-85); as the Chairman of the Writers' Union of Kirghizia, Frunze, (1985-present); and as the Editor-in-Chief of the Foreign Literary Journal, Moscow, (1988-present).
Aitmatov's fictionalized accounts of the experiences he has as a young adult impart substance and direction to his fiction. Reporting for Pravda is one such experience. Odd jobs like cotton weigher, wheat harvester, livestock breeder, shepherd, tax collector, and secretary of the village council are other such examples. By bringing Aitmatov into contact with ordinary people, such experiences enhanced the veracity and credibility of Aitmatov's characters. The positions as tax collector and Secretary of the Village Council, for instance, involved Aitmatov in the intimate details of the lives of many peasants, who had to itemize for his inspection every household article they possessed.
On October 15, 1951, Aitmatov married Keres Shamshibaev. Although the marriage produced three sons and a daughter, it did not last long. He then married Maria Urmatov (August 8, 1981). Although the Aitmatov family's home base is in Bishkek, Kyrgyzstan, Aitmatov's demanding schedule keeps him from living in Bishkek for the better part of each year. Besides, the prominent Kyrgyz writer lives a life that is not ruled as much by society as by himself. In June 1998, for instance, he decided not to celebrate his 70th birthday in December 1998; May 1999, he thought, would be a better time for holding his birthday. At the present, although a member of Kyrgyz parliament, Aitmatov lives in Brussels.
Aitmatov writes in both Russian and Kyrgyz. Over the years, however, the volume of his writings in Kyrgyz has decreased. This is, perhaps, due to the fact that his own horizon has been changing, and that the philosophical and technological dimensions of his work can no longer be set by Kyrgyz audiences alone. He was awarded the Lenin Prize for Literature in 1963 for his collection of short stories entitled The Tales of Mountains and Steppes, and the State Prize in 1968 for his first novel, Farewell Gulsary!, published in 1966. In 1978, he was distinguished as the Hero of Socialist Labor. An adviser to Mikhail Gorbachev, the ex-President of the USSR in the early 1990s, Aitmatov has received many awards: the Gold Olive Branch of The Mediterranean Culture Research Center, (1988); the Academy Award of the Japanese Institute of Oriental Philosophy, Tokyo, (1988); and the Austrian State Prize for European Literature, (1994); and others. He is a full member of the Academy of Sciences of Kyrgyzstan, a member of the European Academy of Arts and Sciences, and a member of the World Academy of Science and Arts. He is also the father of former Kyrgyz foreign minister, Askar Aitmatov At the present; he is the Kyrgyz ambassador to EU, NATO, UNESCO, Belgium, Luxembourg and the Netherlands.
Chinghiz Aitmatov's major works include:
A Difficult Passage (1956)
Face to Face (1957)
The First Teacher (1962)
Tales of the Mountains and Steppes (1963)
Farewell, Gulsary! (1966)
The White Ship (1970)
The Ascent of Mt. Fuji (1973)
The Day Lasts More Than a Hundred Years (1980)
The Scaffold (1988)
*Mankurt: is a term coming from a Turkic myth popularized by Chinghiz Aitmatov in his novel The Day Lasts More Than a Hundred Years